(Source: neongenesist, via vagiants)

People leave traces of themselves where they feel most comfortable, most worthwhile.

Haruki Murakami (via vagab0n)

(Source: redfeminist, via lordtrash)

April is the cruelest month, breeding lilacs out of the dead land, mixing memory and desire, stirring dull roots with spring rain.

 T.S. Eliot, The Waste Land (via pestan)

(Source: supermodelgif, via vagiants)

(Source: amart, via t0xemia)

Drunk text me. I want
to be the one you think of
when you can’t think straight.

"Drunk Texts are Flattering" by Claire Luisa (via claire-luisa)

(via inapt)

http://thisisnthappiness.com/tagged/sextnevver:

Sext

nevver:

Sext

(via bl-ind)

Vasantha Yogananthan - La Traversée

(Source: razorshapes, via xviiivx)

(Source: islayme, via primsa)

(Source: basednigel2222, via t0xemia)

(Source: fedexpressionism, via lolweed)

If you’re poor, the only way you’re likely to injure someone is the old traditional way: artisanal violence, we could call it – by hands, by knife, by club, or maybe modern hands-on violence, by gun or by car. But if you’re tremendously wealthy, you can practice industrial-scale violence without any manual labor on your own part. You can, say, build a sweatshop factory that will collapse in Bangladesh and kill more people than any hands-on mass murderer ever did, or you can calculate risk and benefit about putting poisons or unsafe machines into the world, as manufacturers do every day. If you’re the leader of a country, you can declare war and kill by the hundreds of thousands or millions. And the nuclear superpowers – the US and Russia – still hold the option of destroying quite a lot of life on Earth.

Call Climate Change What It Is: Violence (via azspot)

(via leonrw)

http://alex-quisite.tumblr.com/
Gerhard Richter | Untitled (22.1.2000, Firenze) | 2000
12 cm x 12 cm | Oil on colour photograph

Gerhard Richter | Untitled (22.1.2000, Firenze) | 2000

12 cm x 12 cm | Oil on colour photograph

(via add3rall)

cinemove:

Chungking Express 重庆森林 (1994) dir. Wong Kar Wai

story 1: Cop 223 + The Woman in the Blonde Wig

(via chungkinghotel)

(Source: megazord, via yzma)

secousses:

i really can’t stop watching this

(Source: bubblevvrap, via indisponiert)